Jul 11, 2013 · Between 1968 and 2002, Schwartz created computer-mediated films, videos, optical effects, art-historical analyses, and animations at Bell’s Acoustical and Behavioral …

Once the introduction was made, I paired up the Computer Club with the Warhol Museum, and together we embarked on a multiyear, multi-institution effort to study and preserve Warhol’s …

Apr 1, 2025 · The conclusion is clear: Art historians and computer scientists should collaborate; and since art history is an aesthetic enterprise involving judgment and a concern with “beauty, …

The computer model, in turn, proposed configurations and designs that the artist could accept, reject, or hybridize before transforming them into paintings, sculptures, and screen prints.

Oct 17, 2024 · Trailblazing computer artist Lillian Schwartz, whose jittery, color-saturated, digital films burst onto screens at a time when computers were still massive mainframes laboriously …

An overemphasis on the how of computer art tends to distract us from the why. Historically, critics have not been kind to computer art, dismissing its early exhibitions as “popular sideshows” …

The problem in applying the computer to sculpture is to program the computer to take in, manipulate and give back three-dimensional information which can be used for sculpture. This …

Zsofi Valyi-Nagy sitting on a balcony at the Getty Research Institute. In this month’s episode of “ Under the Cover,” Artforum ’s West Coast editor Bryan Barcena speaks with artist and art …

Paula Burleigh on “Infinite Images: The Art of Algorithms,” a survey of new media work that was staged at the Toledo Museum of Art in Ohio.

Mar 23, 2022 · How digital graphics remade the material worldRegister to receive our full menu of newsletters— From the Archive, Must See, Video, In Print, Dispatch, and ArtforumEDU —as …